From traditional media to generative art, one creator's unexpected journey.
We caught up with digital artist Bryan Brinkman at the Marfa gathering to dive into how creators sustain themselves in Web3, why on-chain art matters for permanence, and what it felt like experiencing Marfa's creative energy for the first time.
His perspective? Creative sustainability isn't just about selling—it's about building something that outlasts the hype cycle. When your work lives on the blockchain, you're not just creating for today.
Worth checking out what he shared.
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AlwaysQuestioning
· 8h ago
The point about on-chain permanence really hits the mark, but how many works can actually survive? Most will probably still sink to the bottom.
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GasFeeSobber
· 8h ago
On-chain permanence really impressed me, but it still depends on whether I can actually sell the作品 haha
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GrayscaleArbitrageur
· 8h ago
The concept of on-chain permanence is interesting, but to be honest, most projects still can't escape the hype cycle.
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JustAnotherWallet
· 8h ago
On-chain permanence is described so perfectly; it's truly different.
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SnapshotStriker
· 8h ago
On-chain permanence is not just for today's hype, Bryan is right.
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CascadingDipBuyer
· 8h ago
The on-chain permanence concept sounds good, but how many projects can truly survive the hype cycle...
From traditional media to generative art, one creator's unexpected journey.
We caught up with digital artist Bryan Brinkman at the Marfa gathering to dive into how creators sustain themselves in Web3, why on-chain art matters for permanence, and what it felt like experiencing Marfa's creative energy for the first time.
His perspective? Creative sustainability isn't just about selling—it's about building something that outlasts the hype cycle. When your work lives on the blockchain, you're not just creating for today.
Worth checking out what he shared.